Martial Arts and Lift

Regular readers (if there be any) know of my long term project trying to analyze all of the problems of flying in terms of two less-common parameters, finesse (essentially, glide ratio) and essence (the total of all of the energies, chemical, potential, kinetic, and emotional).  This project has led me into some obscure corners of aviation, places where the relationship between flying and all of our other endeavors almost becomes visible.

Here is another excerpt.

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Without the air there is no finesse.  The falling craft strikes each of many molecules, and reacts.  Nitrogen hits hard, and oxygen hits harder; water, like cement when ditching, hardly dents the craft.  Water is an enemy of finesse.

In principle, shooting figs at the wing would hold the craft aloft.

But finesse is more than violence.  The karate fist alone  does not suffice. The flow of Tai Chi Ch'uan, the air like a liquid, softer, also affects the craft.

The fluid form of finesse comes directly from essence: consider the speed of the fluid, the essence of motion, and at the same time consider its pressure, the essence of potential.  Essence being conserved,  higher speed means lower pressure.

Even finesse is a form of essence.

People choose favorites in the martial art of lift.  In this corner, Newton, violent, punching, punching, punching, blindly, wildly.  In that corner, Bernoulli, conserving essence, waiting for the instant when the fatal blow may be struck.

The need to choose varies with speed.  At low speed, Newton's angular attack lifts the craft from the ground, but is
merely drag on a faster craft.  The Tai Chi artist, moving slowly, barely moves the air, but with blinding speed his conserved essence is unleashed.